Pride and Prejudice Essay: The Faults of Pride and Prejudice

The Faults of Pride and Prejudice If we check up on the themes, characters and setting of Jane Austens Pride and Prejudice in an effort to find faults of logic, we moldiness first recognize that the entire work is a fault of logic because Austens world is a microcosm of one level of society, a level wherein everything and everyone turns come in kindly, whether they be heroes or villains, rich or poor, or proud or prejudice. This is because unlike conventional romantic novels, like Wuthering Heights, there is no deeply passionate love displayed in this novel, no horrific consequences of being remaining without an annual inheritance, and even the alleged villains of the piece, like Wickham, are sprinkled with enough of the draw of human kindness as to almost make them preferable oer some of the non-villains in the work. Psychologically, this type of mixed-trait character portrayal is realistic of naturalism because human development occurs as a continual process, one fill up w ith both flaws and successes of character behavior. Richard Simpson (289) explicates this point further in his essay, The Critical expertness of Jane Austen Wickham, the modified villain of Pride and Prejudice, has so much charm nearly him that his sensible and epicurean father-in-law is almost disposed to like him better than his new(prenominal) and more honorable sons. Miss Austen has a most Platonic trend to explain any knavishness into folly. Wickedness in her characters is neither unmixed with goodness, nor is it notwithstanding a defect of will she prefers to exhibit it as a impuissance of intelligence, an inability of the commonsense to rule the passions which it neither comprehends nor commands. It is her philosophy to see not only the soul of goodness in ... ...rratic behavior in separate romantic tales of love, but it is quite illogical to argue through photo that typical human beings share a love for one some other without being prone to any of the hyper-emotion s and erratic behaviors love often manifests in real human beings. Therefore, Austens Pride and Prejudice appears to exhibit some surcharge and prejudice of its own, particular the fact that Austen seems to suggest people in her fond circle are somehow better or more keen-witted at least than typical human beings. Works Cited Austen, J. Pride and Prejudice. bracing York, Oxford University Press, 1990. Oliphant, M. Miss Austen. In Pride and Prejudice, New York, Oxford University Press, 1990 285-287. Simpson, R. The Critical Faculty of Jane Austen. In Pride and Prejudice, New York, Oxford University Press, 1990 287-290.